Rewrite T.S. Eliot's "Little Gidding" as though he was from a different religious background to Christianity. Justify your version.

To live aggrieveoniously in and with nature,In a valet de chambre where every(prenominal)(prenominal) apprehension, every theme, every theoryHas its own extreme opposite counterpart. Where the seasons forever cope nonwithstanding none give ever triumph-Sunny geezerhood result be saturated and lively lakes frozen to ice,Frost allow be fluent and puddles dried by the sun. To unify the past, chip in and early as one moves from look to smell,And with each a antithetical lesson learnt. And we will r differenceer fulfillment and harmony al modalitys,Causing harm will incur harm to oneself multiplied threefold,But more heavyly, on the tout ensemble is sacred, every vitality. Water and fire do (and alship canal subscribe) co out furthested in flavour and in cobblers last,In reality and in idealism. sunup and darkness final stagelessly succeed one another,In an untouchable and invariant cycle. As I walk, at a time manywhere amidst the 2,In streets I ne ver thought I should revisitWhen I remaining hand my body on a distant genus Shorea account appears- familiar, yet strange. Connected to but from a diametrical life from mine. A ghost of past lessons learnt, here straightaway to scissure guidance,To disclose to the overbold life the gifts reserved for age,The lessons learnt with ageAnd the eternal walk of time. ?There atomic number 18 interior(a) and outside worlds-That in which you live, and that which lives in you-N all is more or less important or demand for your fulfillmentAnd both need be nurtured and hold dear always. ?Honour those with k immediatelyledge, those who take and those who lead,And those who courageously give of themselves for the betterment of others. For they be the only ones graceful of authority. ?Seek to be in manipulate of the interior(a) forces withinAnd you will reside sensibly and wellWithout injury to others, and in synchrony with life everywhere. And so we come to an end, which is an inevitable beginning. We gain life from the ! destruction:See, they depart, and we replace them. We die when on that point ar newborns:See, they arrive and we depart. Because every life begins with a death,And every death is followed with a life. For recital is a pattern of timeless moments,As at that place is no more a temporary word than ?now?. In researching for this identification, I realized that there were m either themes central to both the Wiccan doctrine and this verse, ?Little Gidding?, the most bountiful of which macrocosm the duality and equality of the instalments, and, in turn, the seasons. As the metrical composition has several recurring themes, I?ve tried to write this verse form in terms of themes, to confer Wiccan flavours and values. T.S. Eliot?s ?Little Gidding? focuses on fall in the past, present and future. It in addition suggests that the understand of this unity is necessary for redemption. Generally, the Wiccan faith does not delegate to seeking salvation, for two different re asons. Firstly, Wiccans recollect that there is zippo to be lay aside from, as they do not bank in the Tempter or the Devil. However, in accordance with their belief of duality, evil exists because heavy exists, but in Wicca there is not a caliber or name given to evil, there is nothing exchangeable ?the Devil made me do it?. Secondly, Wiccans believe that any uphold or behavior is acceptable as long as nobody is hurt. Therefore, Wiccans will do not need to seek salvation because unless they confuse harmed more or lessone they stick not done anything wrong, and there is nothing to be saved from because ogre or the Devil do not exist (Harwood, 2007). This is why I deliberately left out any references to Satan, salvation or forgiveness which were originally in the poem. The prototypical two of the thirteen article of beliefs of Wiccan belief ( resembling to the 10 Commandments) talk around ?attuning ourselves with the born(p) rhythms of life forces?, and ?live in har mony with Nature, in ecological equilibrise?, which ! is why I changed Eliot?s tone of this theme from conniption a context of use to nature being its own theme, as it is in the Wiccan faith. Wiccans place a wide emphasis on living in harmony with nature, and not harming anyone. Part of this is because of the duple Law (similar to some Eastern religions? concepts of Karma): some(prenominal) we do comes back to us multiplied by three. This is related to to the Wiccan belief that an act of harm harms us all, a natural law. This concept makes every man-to-man accountable for his or her actions, as well as events which go to them that appear to be ergodic or intractable. This concept reminded me of the Christian principle- ?Do unto others as you would have them do to you?. Wiccan beliefs in alike manner include the theory of polar opposites- everything has a dual side (light and dark, up and down, black and white), and that neither are ever superior to the other. This is where I attempted to write more or less the seasons as r eflecting the five elements of Wiccan belief, of air, fire, water and earth. The fifth element is the spirit, but I couldn?t find a way to carry that into the seasons analogy. Depending on the coven, or even on the individual, there are many different beliefs near what happens after death in the Wiccan community. I have chosen to use the concept of renascence for the purposes of this paper (in a later part of the poem I have rewritten the ghost as the life onward the catamenia one, and the passing on of lessons to the following life of this spirit), and in the next few lines my version of the poem talks intimately uniting past, present and future, as necessary (in this belief system) to action reason and reincarnation ceases. The beginning of the next section revisits the equality and coexistence of different elements, and overly introduces the concept of the unconscious/inner world in addition to the conscious world.

This is because one of the principles of Wiccan belief is about recognizing inner worlds as well as outer worlds, much(prenominal) as the spiritual, or even Freud?s collective unconscious. This principle encourages fundamental interaction and nurturing of the two dimensions simultaneously. The next few lines fairly reflect Eliot?s theme of everlasting time and its uncontrollable nature, which then blends into a reflection of Eliot?s scene of conflux a stranger. I have used this scene as an analogy for reincarnation, as well as continuing Eliot?s theme of death as a beginning. I also repeated some of his lines to highlight the similarity of his Christian context and the Wiccan belief of reincarnation. The control ?I? m eet is the spirit from my last life- reincarnation is currently taking place. The lessons the Spirit is teaching to the new life are essentially three more of the principles of Wiccan belief- the aforesaid(prenominal) valuing of the spiritual ?inner? world as well as the outer world, to note those with knowledge, as Wiccans do not cope any authoritarian hierarchy, and to control oneself and the forces within them to lead a good, harmonious life. The last(a) section continues to reflect Eliot?s concept of the end as the beginning, and the beginning as the end. I altered close to his repeating of ?We die with the dying?? to reflect reincarnation or else than his somewhat more depressing take on the subject. I also attempted to incorporate again his theme of temporariness with examine to everything, individuals? lives as well as the human race. I chose to do this assignment with Wicca because it is an area I am not at all familiar with, having grown up in a Catholic house. I fo und it very interesting because I had some ideas that! turned out to be extremely wrong, and I was also astounded at how there are such similar concepts between the two faiths. Yet, so many Christians would in all probability not notice these, as one of the Wiccan principles says-Our only animus towards Christianity? is to the conclusion that its institutions have claimed to be ?the only way? and have desire to deny freedom to others and to suppress other ways of spectral practice and belief? (Harwood, 2007). REFERENCESHarwood, B.J. (2007). Beyond Poetry and Magick: The onus Elements of Wiccan faith [Electronic Version]. Journal of Contemporary Religion, 22, 375?390Howard, T. (2006). Dove Descending: A transit Into T.S. Eliot?s Four Quartets. San Francisco: Ignatius Press. Pearson, J. (2002). Belief Beyond Boundaries: Wicca, Celtic spiritualty and The New Age. United Kingdom: The Open University. If you call for to engage a full essay, order it on our website: BestEssayCheap.com

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